Tradition of Uttrakhand-AIPAN
Aipan is one of
the traditional art (painting form) of Kumaon. It has great social, cultural
and religious significance. Aipans are known by different names and is in
popular in many parts of India with larger variations. It is called Alpana in
Bengal, Satiya in Gujrat, Rangoli in Maharashtra, Chowk pooran in UP, Kolam in
south India, Madne in Rajasthan, Arichan in Bihar and Bhuggul in Andhra.
In Uttarakhand, aipan are popularly drawn at places of worship, houses, and main entry doors of house and in front courtyard. Some of these artistic creations have great religious importance and these are drawn during particular religious ceremonies or auspicious occasions such as marriages, Threading ceremony, naming ceremony etc. to perform rituals while others are for particular God / Goddess and a few for aesthetic look.
In Uttarakhand, aipan are popularly drawn at places of worship, houses, and main entry doors of house and in front courtyard. Some of these artistic creations have great religious importance and these are drawn during particular religious ceremonies or auspicious occasions such as marriages, Threading ceremony, naming ceremony etc. to perform rituals while others are for particular God / Goddess and a few for aesthetic look.
This art is carried over generation by generations and mothers pass it on to
their daughters and daughter in laws. However, with the wind of modernization
blowing, this art is depleting fast. Our younger generation, born and brought
up in cities outside Uttarakhand might not be familiar with it. As a humble
attempt to spread awareness of our cultural heritage does not get eliminated in
the wind of modernization, I have collected information from various sources
and posted here for the benefit of everyone.
Traditional Aipan The traditional aipan of Kumaon are drawn in linear art, geometrical designs, Flowers or imprints. These are mostly drawn for decorative purpose.
Traditional Aipan The traditional aipan of Kumaon are drawn in linear art, geometrical designs, Flowers or imprints. These are mostly drawn for decorative purpose.
Aipan of Door
Steps
Vasudhaara
Pooja Vedika,
door steps of house, Place of worship, Tulsi (A structure made around the Tulsi
Plant) etc. are decorated with vasudhara. Without Vasudhara, Aipan are
considered incomplete. These are made y painting the place with ‘Geru’
(filtered red colour soil) and thereafter making vertical lines by dripping
‘Bishwar’ (soaked rice powder). The dripping of ‘biswar is carried out by
Anamika (Ring finger?). These are drawn in the blocks consisting lines in odd
numbers like 5, 7, 9 or 11.
Swastik has
great significance in Aipan. It is drawn in some form or other during most of
the religious rituals as swastik in Hindu mythology represents all Gods and
Goddess’, known or unknown. If someone does not have the knowledge of the occasion
specific Aipan, Swastik is religiously accepted as substitute. Swastik
represent the creation and progress. All four arms of swastik inspire to move
forward. Thus swastik is the symbol of marching ahead for success, towards
success with success.
Different lines joining at rectangle representd ifferent religions. These all lines join each other at the center which is the place for ‘Omkar’. The lines are surrounded by dots, which too have a special significance. Any Aipan without dots are considered incomplete and inauspicious. During drawing the Aipan, one have to take care that the group or block of lines in traditional Aipan should end with the dots.
Aipan without dots are drawn on the 12th day of some ones death (Peepal Pani or Shanti Path). On third day, these Aipan without dots are removed and fresh aipan with dots are drawn showing end ofm ourning period. Astadal Kamal
Different lines joining at rectangle representd ifferent religions. These all lines join each other at the center which is the place for ‘Omkar’. The lines are surrounded by dots, which too have a special significance. Any Aipan without dots are considered incomplete and inauspicious. During drawing the Aipan, one have to take care that the group or block of lines in traditional Aipan should end with the dots.
Aipan without dots are drawn on the 12th day of some ones death (Peepal Pani or Shanti Path). On third day, these Aipan without dots are removed and fresh aipan with dots are drawn showing end ofm ourning period. Astadal Kamal
This aipan is
drawn at the place where ‘Havan’ is performed. It is an octagonal geometry with
lotus petals and a swastik is drawn at the center. Lakshmi Padchinha
On Deepawali
day, footprints of Goddess Lakshi are drawn from main entrance of the house to
place of worship. Lakshmi Peeth
This aipan is
drawn at the poojasthal (place of worship) wherew orship of Goddess Lakshi, the
goddess of wealth and prosperity, is performed on particularly on Diwali
day. Bhuiyan
Bhuiyan refers
to the negative & harmful powers or bad omen. This is drawn on outer side
of a ‘Soop’ which is generally a very ugly and bad looking sketch of a demon.
On the inner side of the ‘soop’ Lakshi-Naranyan are drawn. On a particular day,
this ‘soop’ is beaten with a sugarcane stick at every room and corner of the
house. This refers to ousting of bad omen, ill fate or negative powers andw
elcome of Lord Vishnu and goddess Lakshi, the God / Goddess of happiness and
prosperity. Dhuliarghya Var Chauka
At the time of
Dhuliarghya, the bridegroom is made to stand on the Chauka when introduction
and welcome of bridegroom is performed by chantingv edik mantra. Acharya
Chauka
Acharya, ‘the
kulguru’ who performs the marriage rituals from bridegroom’s side stands on
this chauka at the time of dhuliarghya. Janeo
At the place of
‘Janeo’ or threading ceremony, drawing this aipan is mandatory. This drawing
has 15 dots in the center. Traditional it is also drawn at the place where men
change their ‘janeo’ on Raksha Bandhan day.
Rangwali
Pichhora
In the center, a
‘Swastik’ is drawn and in four quadrant of swastik, Sun, Shankh (Cronch shell),
A Bell with ‘Om’ and Goddess are drawn. The swastik is made by drawing some
geometrical drawings or leaves and flowers and then surrounded by small
dots. Then dots of larger size are printed all over. This
printing is surrounded by a beautiful border. After border, lace and kinari or
jhalar is stitched to make is more colourful, attractive and lively.
Theses sketches
drawn in the pichhora has religious significance also. The Swastik represents
al the gods and goddesses. It is drawn in some form or the other at all the
religious rituals. It denotes the ‘karmyoga’. Its four arms pointing
forward inspire to move ahead. The center of swastik is ‘Om’ which has great
importance in meditation and spirituality.
In olden days,
it was made at home. A few meters of white cloth was washed and dyed first in
yellow colour and then dots were printed with the help of a coin wrapped in
cloth. Common colours available in market were used for it earlier but now
Rapid colours are being used. The homemade pichhora were printed with ordinary
colours, which used to spread on getting moist. The process of drawing /
printing by hand was very tiresome and sometime the results were also not so
good.
In later years,
some businessmen started printing it with Rapid colours.
CUISINES
The recipes
given below are selected specialties of Uttarakhand. You are advised to taste
these Recipes and carry for your Family, Friends and of course for you.
Kumaon has its
own distinct, impressive culture, traditions and more so over its exquisite, mouthwatering
dishes. Having visited the enchanting mountain land, what you won't miss here
is its cuisine's, the delicious, appetizing dishes.
Sweet Dishes
It is a very
popular sweet dish of this fascinating region. It is high on taste as well as
nutritious. It is a favorite dish and like by everyone.
Another testy
sweet which is a specialty of Kumaon and is prepared from Khoya (Condensed
Milk) and coconut. A special feature of this sweet is that is requires a leaf
named 'Molu" which is found in the hills of Uttrakhand.
It is a high
calorie sweet. Its specially is that it is only prepared during festivals. It
is local sweet snack. Banana is also used in this dish.
Different Type
of Breads
It is a Chappati
made of Mandua Flour, which is a local cereal and very high in fiber which
makes it very nutritious.
This is a local
preparation, which is served in Breakfast, Lunch or Dinner. This bread is eaten
with a lot of Butter or Ghee. It can also be eaten with Curd and Mango Pickle
or Mixed Pickle.
APPETIZER
Raita in Kumaon
is prepared in a very special way unlike Raita' made in other parts. It is
mainly served at lunchtime and highly enriched with cucumber, mustard seeds,
green chilies, coriander etc.
Wow! Mouth
waters the moment you have a flavor of this refreshing and tempting mixture of
radish, lemon, curd and paste of bhang seeds. It is usually eaten during winter
seasons.
This is very
tasty sour Chutney, which is served with snacks and is also eaten with certain
meals.
Mixed Dal salad
is taken as an appetizer. It is very delicious and nutritious too. It is serve
before meals as it enhance hungry.
Some Green
Vegetables
Sisunak Saag:
This is a green
curry that is served in lunch or dinner and is eaten with Bread, Pita, Roti
& Boiled Rice. This is a dish, which is very sumptuous as well as
nutritious since it is a special preparation of Spinach.
Alu ke gutke is
a typical Kumaon snacks and is enjoyed by all. The most exciting thing of this
dish is the way of serving. Red fried chilies, coriander leaves and some time
with tomatoes garnish it also. It is very spicy.
Rus is a typical
delicacy of Kumaon. It consists of a number of Dals. It gives the tasty flavor
of every ingredient used and is a favorite dish of Kumaon people.
<-Gahat Ki
Dal:
This is commonly
prepared in every house in Kumaon. It is like curry and taken with rice.
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Fairs and
Festivals
Doonagiri mela Doonagiri, noted for its ancient Durga Temple,
is a pilgrim spot that attracts a large of pilgrims, during the fair days at
Navratri in October. Kasar Devi Mela A fair is held twice a year, during winter
and summer moths, in the picturesque and older part of the town. The fact that
the great Swami Vivekananda came to Almora and gained enlightenment in a small
cave at Kasar Devi adds the trivia to give a lot more significance to the
place. Shrawan Mela, Jageshwar fair in July & August, Gananath Mela in
October-November and Dwarahat Mela held in April are some other important
festivities of the region. Chitai Temple This sacred temple, built in the
memory of Gollu Devta, is situated 6kms from Almora at a place called Chitai.
Sacrifices of goats are offered to the deity which was, at one time, a sort-of
law court, that decided several pleas received from the distressed people of
the region. Doonagiri Doonagiri is extremely rich in historical and religious
significance and has many myths attached to it. According to one, when Hanuman
was carrying the Sanjiwani booty to save Lakshman, a piece fell at this place
and since that day, this place is known as Doonagiri. A temple of Vaishno Devi,
the famous cave Goddess, is situated here. Doonagiri is abuzz with activity in
Chait and Ashwin months of Navaratris as many festivals are celebrated around
that time. Pandukholi Situated 10kms. from Doonagiri, the temple is famous for
the caves built here by the Pandavas. Apart from these, many other places are worth
visiting around Almora like Kosi temple, Gananath and Jageshwar.
Music and
Dance
Kumaonis are
fond of music, folk dance, and songs accompanied by local musical instruments
like murli, bina, and hurka. The hurka is played by
the“jurkiya” and the dancer accompanying him, known
as “hurkiyari,” is usually his wife or daughter. They go from place
to place narrating folklores, singing the praise of their gods and goddesses.
During fairs and festivals and at harvest time, they often dance
the Jharva, Chandhur Chhapalior,and many other forms of folk dances. The
popular folk songs are Malushahi, Bair, and Hurkiya Bol.
Kumaoni Jhora-The popular folk songs of Kumaon and Garhwal include Jhora Chanchari, Chappeli, Chhopati, Basanti, Bajuband, Mangal. The Jagars have a special place in the whole Kumaoni and Garhwali community across Uttarakhand.
Festivals
The uniqueness of the Kumaoni Holi lies in its being a musical affair, whichever may be its form, be it the Baithki Holi, the Khari Holi or the Mahila Holi.The Baithki Holi and Khari Holi are unique in that the songs on which they are based have touch of melody, fun and spiritualism. These songs are essentially based on classical ragas. No wonder then the Baithki Holi is also known as Nirvan Ki Holi.
The Baithki Holi begins from the premises of temples, where Holiyars (the professional singers of Holi songs) as also the people gather to sing songs to the accompaniment of classical music.Kumaonis are very particular about the time when the songs based on ragas should be sung. For instance, at noon the songs based on Peelu, Bhimpalasi and Sarang ragas are sung while evening is reserved for the songs based on the ragas like Kalyan, Shyamkalyan and Yaman etc. The Khari Holi is mostly celebrated in the rural areas of Kumaon. The songs of the Khari Holi are sung by the people, who sporting traditional white churidar payajama and kurta, dance in groups to the tune of ethnic musical instruments.
Harela and Bhitauli
On the first day of the navaratris (nine day holy period) of the month of Chaitra women fill baskets with soil and sow seven types of grains in them. The grains germinate symbolizing the future harvest. These yellow leaves, called Harela, are cut on the tenth day and people put them on their heads and behind their ears. During the month of Chaitra (March-April) brothers send presents to their sisters and parents to their daughters. These presents are called Bhitauli.
However, the more popular Harela is the one that is celebrated in the month of Shravan to commemorate the wedding of Lord Shiva and Parvati and to welcome the rainy season and the new harvest. On this day people make Dikaras or clay statues of Gauri, Maheshwar, Ganesh etc. and worship them. Even the overworked bullocks are given a rest on the occasion of Harela. People put the blades of freshly cut Harela on their heads and send them to their relatives and friends as well.
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